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Automatic performance apparatus of an electronic musical instrument
2010-03-15
musical instrument for activating and deactivating an automatic performance for each musical part such as melody tone, accompaniment tone, or rhythm tone. The first performance data memory stores an instruction signal which instructs the second reading circuit to start and stop reading performance data stored in the second performance data memory, so that the reading of the performance data stored in the second performance data memory can automatically start and stop in accordance with the progressing of the reading based on the performance data stored in the first performance data memory. Both performance data stored in the first performance data memory and in the second performance data memory are read by respective reading circuits, so that it is possible to selectively start and stop reading the performance data stored in both the first performance data memory and the second performance data memory.ClaimsWe claim:

1. An automatic performance apparatus of an electronic musical instrument comprising:

first automatic performance means for performing music comprising:

first memory means for storing first performance information and instruction information; and

first reading means for reading said first performance information and said instruction information from said first memory means;

second automatic performance means for performing music comprising:

second memory means for storing second performance information; and

second reading means for reading said second performance information from said second memory means; and

control means for controlling said second automatic performance means in response to the readout of said instruction information.

2. An automatic performance apparatus according to claim 1, wherein said first memory means comprises a chord sequence memory for storing said first performance information including basic tone data.

3. An automatic performance apparatus of an electronic musical instrument comprising:

first automatic performance means having a first performance data memory for storing first performance data and first reading means for reading out performance data stored in said first performance data memory;

second automatic performance means having a second performance data memory for storing second performance data and second reading means for reading out performance data stored in said second performance data memory; and

selection means for selecting at least one of said first automatic performance means and said second automatic performance means in accordance with the state of stored instruction data, said selection means comprising a start-stop switch and said stored instruction data comprising registered content data included in said first performance data memory.

4. An automatic performance apparatus of an electronic musical instrument comprising:

first automatic performance means having a first performance data memory for storing first performance data and first reading means for reading out performance data stored in said first performance data memory;

second automatic performance mean...

Wavetable-modification instrument and method for generating musical sound
2010-03-12
AbstractA musical instrument employing probabilistic wavetable-modification method of producing musical sound. A randomly initialized wavetable which is periodically accessed to provide an output signal which determines the musical sound. The output signal from the wavetable is probabilistically modified and stored back into the wavetable as modified data. The modified data, after a delay, is accessed from the wavetable and thereby becomes a new output signal. This process is periodically repeated whereby each new output signal is stored (after possibly being modified) back into the wavetable to produce rich and natural musical sound.ClaimsWhat is claimed is:

1. A musical instrument for producing musical sound comprising,

input means for specifying a musical sound to be generated,

wavetable-modification generator means for generating by wavetable modification an output signal representing the musical sound to be produced, including a wavetable unit for cyclically storing data values for a delay period N, including initialvalue means for storing input data values into said wavetable unit with said input data values having amplitudes determined at least in part randomly, including a modifier unit for combining two or more delayed data values from said wavetable unit toform a modified data value, and including selection means for selecting the modified data value as a stored value stored back into the wavetable unit for subsequent delay by the period N where the stored value forms the output signal, means for selectingthe stored value as the output signal at a rate independent of the pitch of the musical sound to be produced,

an output unit responsive to said output signal to produce the musical sund.

2. The musical instrument of claim 1 wherein said selection means includes means for selecting said modified data value or a delayed data value stochastically based upon a predetermined probability, d.

3. The instrument of claim 2 wherein said modifier unit includes an arithmetic unit for summing said two or more delayed data values from said wavetable unit and for dividing the summed data value by a number greater than unity to form saidmodified data value.

4. The instrument of claim 3 wherein said number greater than unity is 2 whereby said two or more delayed data values from said wavetable unit are averaged.

5. The instrument of claim 2 wherein said value has an amplitude yn at a sample time n greater than or equal to 0 where yn is given as follows, ##EQU7## where yn-N is the data value output from the wavetable after delay of N andwhere yn-(N 1) is the data value output from the wavetable after a delay of N 1 and where xn is an input data value at sample time n having a signal amplitude loaded for an initial number of samples M into the wavetable and where rn is arandom number between 0 and 1 generated at sample time n.

6. The instrument of claim 5 wherein said output signal, at sample time n, is the data value having the amplitude yn.

7. The instrument of claim 5 wherein said wavetable unit is a random access memory, wherein the data value, yn, is stored in said memory at a Write Pointer address and wherein the data value yn-N is stored in said memory at a ReadPointer address, and wherein said Write Pointer address and said Read Pointer address are offset by a number of addresses equal to the number, N.

8. The instrument of claim 7 wherein the data value yn-(N 1) is stored in said memory at a Read Pointer 1 address which is offset from said Read Pointer address by 1.

9. The instrument of claim 5 wherein the values of xn initially stored in said wavetable represent "white noise".

10. The instrument of claim 9 wherein said values of xn are given as follows:

where un is determined as 1 or -1 as a function of the output of a random number generator and where A is some amplitude.

11. The instrument of claim 5 including control means for producing the values of yn for the output signal at a sampling frequency, fs, and wherein the fundamental frequency of the sound produced for a pitch number N is approximatelyequal to fs /(N d/2).

12. The instrument of claim 7 including means for storing said Write Pointer address, means for storing the pitch number, N, as an address offset, means for calculating said...

Programmed music on demand from the internet
2010-03-11
message is selected. In effect, advertisers buy the right to have their messages played a given number of times. If their available allocation of advertising play time has run out, they must replenish their account or their advertising message(s) will not be transmitted to subscribers.

Finally, the selected advertising message is affixed to the next generic message in the queue or to the applicable artist (composition) identity audio message. The system automatically links the advertising message, the generic or identity audio message and the subscriber selected content into a single data stream to be transmitted to the subscriber over the Internet. In constructing the stream, the system overlays the generic or identity audio message onto the music content so that, when delivered, the audio generic message and the audio content can both be heard by the subscriber simultaneously. The completed data stream is then delivered to the subscriber in a single, inseparable stream of data packets over the Internet.

Other features and advantages of the present invention will become apparent from the following description of the invention which refers to the accompanying drawings.

BRIEF DESCRIPTION OF THE DRAWING

For the purpose of illustrating the invention, there is shown in the drawings a form which is presently preferred, it being understood, however, that the invention is not limited to the precise arrangement and instrumentalities shown.

FIG. 1 is a block diagram of the basic system hardware arrangement of the present invention.

FIG. 2 is a block diagram of major software blocks of the present invention.

FIG. 3 shows a block diagram of the software control and protocol flow suitable for implementing a portion of the preferred embodiment of the present invention.

DETAILED DESCRIPTION OF THE INVENTION

In general terms, the present invention comprises a software controlled CPU, e.g. a microprocessor, based repository in which the dossiers of a plurality of subscribers are stored and updated. The information contained in the dossiers includes the type of music that the subscribers enjoy, the buying habits of the subscribers and the musical selections previously or simultaneously made by the subscribers.

Preferably, the subscribers receive the programmed music and advertisements from the repository over the Internet. However, the invention is applicable to communications between system and subscribers that use non-Internet channels, e.g. cable, direct broadcast, or any means of communication provided the method of communication permits delivery of an identified audio and/or audio video message to an identified specific subscriber. The specific musical material and advertisements transmitted may vary as a function of the information contained in the dossiers of the subscribers. In addition, the dossiers may change from time to time with a resulting change in music and advertisement programming. Further, the programmed music and advertisements may change as a function of the time of year or other conditions.

Referring to FIG. 1, the physical hardware/software configuration of the present invention preferably comprises a central processing unit (CPU) 10 whic...

Method for encoding music printing information in a MIDI message
2010-03-10
the Even-Tempered System of tuning, these musical pitches have the same frequency. Likewise with the other "black" keys of the keyboard: i.e., D-#=E-鈾? F-#=G-鈾? G-#=A-鈾? and A-#=B-鈾? This "alternate spelling" of frequency-equivalent pitches is not limited to the black keys of the keyboard. There are, in fact, an infinite number of pitch spellings for each pitch as defined by musical frequency. The note A4, which in modern American tuning is the pitch of 440 Hertz (444 in Europe), can alternatively be spelled F4-#-#-鈾?鈾? G4-鈾?鈾? A4, B4-鈾?鈾? C5-鈾?鈾?鈾? D5-鈾?鈾?鈾?鈾?鈾? In "real-life" situations, it is rare to find more than two sharps or flats attached to a primary degree (note letter).

MIDI representation of pitch.

The Musical Instrument Digital Interface (MIDI) standard for representing musical events developed originally as a convention for communicating between electronic instruments. Since the primary (and musically most sophisticated) electronic instrument was the music (piano) keyboard, a system was devised to represent all possible (musically "likely") keys on the keyboard. The note, middle C, normally designated C4, was assigned the number 60. Each successive key above C4 was assigned a successively higher integer, and each successively lower key was assigned a successively lower integer. This system has served its original purpose well, since each note (key) on the keyboard has one and only one number associated with it.

The Problem with MIDI and the printing of music

The MIDI Interface

The MIDI system is well known. A wide variety of instruments and MIDI-compatible devices have been patented. For a good general background on the MIDI system, see U.S. Pat. No. 5,208,421 by Lisle et al, a portion of which is reproduced here.

MIDI was established as a hardware and software specification which would make it possible to exchange information such as: musical notes, program changes, expression control, etc. between different musical instruments or other devices such as: sequencers, computers, lighting controllers, mixers, etc. This ability to transmit and receive data was originally conceived for live performances, although subsequent developments have had enormous impact in recording studios, audio and video production, and composition environments.

A standard for the MIDI interface has been prepared and published as a joint effort between the MIDI Manufacturer's Association (MMA) and the Japan MIDI Standards Committee (JMSC). This standard is subject to change by agreement between JMSC and MMA and is currently published as t...

Control system for a musical instrument
2010-03-09
AbstractA control system for a musical instrument, e.g., an electric guitar, which is programmable so that a tremolo characteristic can be applied to the audio signal produced by the musical instrument. The tremolo characteristic can be comprised of a combination of three preset amplitude components and three preset frequency components. The control system can also be used to dynamically vary the volume characteristic of the audio signal produced by the musical instrument. Specifically, the control system includes a tactile member which produces a signal proportionate to the pressure exerted on the tactile member by the musician. This signal can be used to increase the volume characteristic of the musical instrument while the musician is playing the musical instrument.Claims

What is claimed is:

1. A control system to be used to change one or more characteristics of an audio signal produced by a musical instrument comprising:

a plurality of user inputs including a tactile member which produces a first signal which is proportionate to the pressure exerted on said tactile member by a musician while said musician is playing said instrument;

a controller which receives said first signal, said controller having a program mode, wherein preset component values for audio characteristics can be programmed by said musician, and an operation mode wherein audio characteristics for an audio signal produced by said musical instrument can be modified by said musician manipulating said plurality of user inputs; and

an audio signal modifier, responsive to signals from said controller which modifies said audio signal produced by said musical instrument in response to signals received from said controller.

2. The control system of claim 1, further comprising a transducer and wherein said tactile member comprises an air filled tube mounted on a surface of said musical instrument wherein depression of said air filled tube towards said surface of said musical instrument results in a proportionate change in pressure within said air filled tube and wherein said transducer produces said first signal in response to detecting said proportionate change in pressure.

3. The control system of claim 2, wherein said tactile member is positioned on the musical instrument in a location where said musician does not have to remove his or her hands to manipulate said tactile member.

4. The control system of claim 3, wherein said air filled tube has a square base with a rounded upper hemisphere, wherein said square base is mounted on said surface of said musical instrument.

5. The control system of claim 4, wherein said musical instrument comprises an electric guitar and said tactile member is mounted on said neck of said electric guitar.

6. The control system of claim 1, wherein said controller, when in said program mode, can be programmed by said musician to set an initial starting volume for a volume audio characteristic of said audio signal produced by said musical instrument.

7. The control system of claim 6, wherein said controller, when in said operation mode, produces an audio signal having a volume audio characteristic which is at least said initial starting volume and wherein said controller increases said volume audio characteristic from said initial starting volume in proportion to said first signal generated by said musician exerting pressure on said tactile member.

8. The control system of claim 7, wherein said controller, when in said operation mode, sustains the volume audio characteristic of said audio signal produced by said musical instrument at a first level, which is proportionate to the greatest amount of pressure exerted on said tactile member by said musician, until said musician exerts a greater amount of pressure on said tactile member.

9. The control system of claim 1, wherein said controller, when in said program mode, can be programmed by said musician to set a plurality of initial starting frequencies and a plurality of initial starting amplitudes of a tremolo audio characteristic of said audio signal produced by said musical instrument.

10. The control system of claim 9, wherein said controller, when in said operation mode, produces an audio signal having a tremolo audio characteristic having one of said plurality of initial starting frequencies and having one of said plurality of initial starting amplitudes.

11. The control system of claim 10, wherein said controller, when in said operation mode, increases the frequency of said tremolo audio characteristic in response to said musician exerting pressure on said tactile member.

12. The control system of claim 11, wherein said controller is configured, in said operation mode, so that said musician can switch between said plurality of starting frequencies and said plurality of starting amplitudes of said tremolo audio characteristic by manipulating said plurality of user inputs.Description

BACKGROUND OF THE INVENTION

1. Field of the Invention

The present invention generally relates to a system for controlling the output-of a musical instrument and, in particular, concerns a system which includes a pressure sensitive control device which is mounted on a musical instrument to allow the player of the instrument to alter various characteristics of the audio output signal of the musical instrument.

2. Description of the Related Art

Electric guitars are extremely popular musical instruments as they can produce a wide range of different sounds when they are used in conjunction with an amplifier. The musician can produce sound signals having a wide range of volume with an electric guitar and the musician can also produce a sound signal from the electric guitar that has a particular sound quality. For example, using the amplifier, the musician can produce a sound signal having a characteristic which varies in volume over time. This characteristic is generally referred to as tremolo. Other types of sound signals that can be produced using an electric guitar include reverberation, vibrato and the like.

The sound signals produced by ...

Musical apparatus detecting maximum values and/or peak values of reflected light beams to control musical functions
2010-03-08
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receiving radiation from an object within the specified space;

generating at least one detection value based on a characteristic of radiation received from the object;

detecting a condition in which the detection value exceeds a predefined threshold; and

outputting music and modifying the outputted music upon the detection value exceeding the predefined threshold.

33. A method as recited in claim 32, further comprising emitting radiation into the specified space.

34. A method as recited in claim 33, wherein the radiation comprises a light.

35. A method as recited in claim 32, wherein the radiation comprises a light.

36. An apparatus as recited in claim 32, wherein the characteristic of the radiation comprises the quantity of radiation.Description

FIELD OF THE INVENTION

The field of the invention is electronic musical apparatuses such as electronic musical instruments, music-related sound generation devices, music-related sound modification devices, and their controllers, including, for example, synthesizers, keyboards, drum machines, effects processors, effects pedals, sequencers and sound modules. More specifically, the electronic musical apparatus embodying the invention is controlled by detecting the location and/or movement of an object (e.g., a hand) within a space by using a light beam, including an infrared light beam.

BACKGROUND OF THE INVENTION

Non-contact musical control devices have been known in the past which issue control instructions by optically detecting the movement of a hand or the like within a specified space. These devices provided a pair consisting of one light source (infrared emitting diode or the like) which shines a light into the space and one light receiving element (infrared sensor or the like) which receives the light of the light source which has been reflected by the hand when said hand proceeds into said space, and if reflected light was received by the light receiver, the device performed a switch-like control which turned the instruction for a specified operation ON when said received light quantity exceeded a certain threshold value, and turned it OFF when it was below the threshold value.

The intensity distribution of the light beam irradiated from the light source in the conventional non-contact musical control devices described above is as shown, for example, in FIG. 26. In this case, the light quantity received by the light receiver will differ, even if the hand is held at the same height from the light receiver, when the hand is held directly above the light source as compared to when it is held to the side. Consequently, in a case where ON/OFF operation instructions are performed according to whether or not the quantity of received light exceeds a specified threshold value, the probability of erroneous operation is high if the operation instruction is performed based purely on the height of the hand as the only scale. In other words, a problem with this type of prior musical control device is that it was difficult for the operator to discern at what proximity to the sensor the switch will be turned ON or OFF. In addition, the type of the operation instruction was limited to whether to perform a certain control, i.e., no more than the binary ON/OFF control of a single specified process could be accomplished.

SUMMARY OF THE INVENTION

Electronic musical apparatuses described herein include electronic musical instruments, music-related sound generation devices, music-related sound modification devices, and their controllers, including, for example, synthesizers, keyboards, drum machines, effects processors, effects pedals, sequencers and sound modules.

A ...

METHOD AND APPARATUS FOR PLAYING IN SYNCHRONISM WITH A DIGITAL AUDIO FILE AN AUTOMATED MUSICAL INSTRUMENT
2010-03-04
apparatus for playing an automated musical instrument in synchronism with a digital audio file, the apparatus including: a source for a music sequence including time stamped articulation events; a source for a digital audio file; the controller in communication with the source for a music sequence a source of a digital audio file and in communication with the automated musical instrument, the controller providing the articulation events to the automated musical instrument, the controller further including a digital to analog converter to convert the digital audio file to an analog signal for play, the digital to analog converter providing the controller with a progress status of the time since the beginning of the play of the analog signal, the controller using the progress status of time as a time base for providing the time stamped articulation events to the automated musical instrument.

2. The apparatus of claim 1, where the music sequence is a MIDI file.

3. The apparatus of claim 1, where the source of a music sequence is digital media.

4. The apparatus of claim 2, where the digital media is selected from the group of compact flash cards, or SD cards.

5. The apparatus of claim 1, where the digital audio file is an MP3 file.

6. The apparatus of claim 1, where the source of a music sequence and the source for a digital audio file are the same media.

7. The apparatus of claim 6, where in the media is selected from the group including: optical disc, digital audio tape, SD cards, hard drives, and compact flash cards.

8. A controller for playing an automated musical instrument in synchronism with a digital audio file, including, a media reader; a DAC subsystem; a microprocessor; memory storing a music sequence; the media reader in communication with the microprocessor and the DAC subsystem, the media reader providing the DAC subsystem with digital audio data, and providing the microprocessor with information regarding identity of the audio track; the DAC subsystem including a digital to analog converter to convert the digital audio data into an analog signal for transmission to a transducer; the DAC subsystem in communication with the microprocessor and providing the microprocessor with information regarding the time progress of processing the digital audio data; the microprocessor in communication with the memory storing a music sequence, the microprocessor sending the music sequence to the automated musical instrument based on the time progress of processing the digital audio data.

9. The apparatus of claim 8, wherein the music sequence is a MIDI file including time stamped articulation events.

10. The apparatus of claim 8, wherein the microprocessor sends the events in music sequence to the automated musical instrument at a discreet time prior to the time called for by the time stamp for the event.

11. The apparatus of claim 10, wherein the discreet time is between 100 msec and 500 msec.

12. The apparatus of claim 1, wherein the microprocessor sends the events in music sequence to the automated mus...

High density sound enhancing components for stringed musical instruments
2010-03-03
a musical instrument comprised of a soundboard, a plurality of strings, a bridge system, a neck, and a body. The system acoustically interconnects the major sound components of the musical instrument in a time-correct sound transfer loop. An acoustically high sound conductivity material selected from the group comprising minerals, ceramics, metals, and combinations thereof, is employed as an interconnect member to produce a balanced, compressed, and naturally equalized sound, with extreme clarity and sustain, and with minimal distortion. The low end sound that is produced by the unified components are coherent, tight, and well defined. The acoustically high sound conductivity material has a specific gravity on the order of at least 2, and preferably at least the specific gravity on the order of the specific gravity of granite. Advantageously, the specific gravity is at least four, and can be six or higher.ClaimsWhat is claimed is:

1. A stringed musical instrument comprising a body section, a head secured to said body by a neck region, said head having means for securing the distal ends of a pluralityof strings to said musical instrument, a bridge to support the proximal ends of said strings above said body section, anchoring means for securing said proximal ends of said strings to said musical instrument, a soundboard secured to said body section,said soundboard being a layer of granite having a thickness in the range from about an eighth to about eleven sixteenths of an inch, a bridge member and a bridge-contacting block, said bridge member being secured to said bridge-contacting block, saidbridge contacting-block being a high acoustic transfer material having a specific gravity of at least two, and being in acoustic contact with said soundboard.

2. A stringed musical instrument comprising in combination; a body section; said body section being a solid piece of wood having at least one recess and at least one block of a high vibratic transfer, high density material having a density atleast equal to the density of granite, said at least one block being within said at least one recess, and said block being in acoustic contact with said soundboard; a head secured to said body by a neck region, said head having means for securing saiddistal ends of a plurality of strings to said musical instrument; a bridge supporting the proximal ends of said strings an anchoring means, said proximal ends of said strings being secured by said anchoring means to said musical instrument; asoundboard secured to said body section; said soundboard being a layer of a high density solid mineral; and an electric pickup in acoustical contact with, and supported by, said at least one block.

3. The stringed musical instrument of claim 2, further comprising at least a second electric pickup and at least a second block, said solid wood having a second recess, said at least a second block being a high acoustic transfer material havinga specific gravity of at least two, and being within said second recess, and being in acoustic contact with said soundboard and said second electric pickup.

4. The stringed musical instrument of claim 1, wherein said body section is a solid piece of wood having at least one recess, a first block, said at least one high acoustic transfer material having a specific gravity of at least two, and beingwithin said at least one recess, and said first block being in acoustic contact with said soundboard.

5. The stringed musical instrument of claim 2, further comprising a transfer rod, said transfer rod being a high acoustic transfer material having a specific gravity of at least 2, and being in acoustic contact with said soundboard and said atleast one block.

6. The stringed musical instrument of claim 5, further comprising a second high vibratic transfer block, said second transfer block being a high acoustic transfer material having a specific gravity of at least two, said second block being inacoustic contact with the base of said neck region and said transfer rod.

7. A stringed musical instrument comprising a body section, a head secured to said body by a neck region, said head having means for securing the distal ends of a plurality of strings to said musical instrument, a bridge to support the proximalends of said strings and anchoring means for securing said proximal ends of said strings to said musical instrument, and a soundboard secured to said body section, said body section being a hollow bodied member, at ...

Electronic music system and stringed instrument input device therefor
2010-03-02
stringed instrument and associated electronic circuitry, for sequentially providing voltage signals, selected from a set of discretely different voltage levels each analogously related to a musical tone, for driving the tone generator. Each string-fret pair of the stringed instrument is assigned a given musical tone, preferably in accordance with normal tuning of the instrument, and means are provided for producing a corresponding voltage when a string-fret pair is closed by pressing the string against the fret. When two or more string-fret pairs are simultaneously closed, the output voltage corresponding to the highest frequency musical tone associated with the closed string-fret pairs is produced. In particular, different electrical voltages are applied to the instrument frets so as to apply such voltages to the strings when the strings are pressed into contact with the frets. A multiplexing system repetitively samples the string voltages, adds to each string voltage an offset voltage compensating for the musical intervals between the open strings, and processes the highest summed voltage for output to the tone generator.ClaimsWe claim:

1. An electronic music system comprising a voltage controlled tone generator, a stringed instrument having at least one string and a plurality of frets spaced from one another along thelength of said string with each string-fret pair representing an assigned musical tone, and means responsive to said string being pressed into contact with any one of said frets for producing and supplying to said voltage controlled tone generator, asthe driving input signal for said tone generator, a voltage signal having a voltage value analogously related to the frequency of the musical tone assigned to the contacting string-fret pair, said voltage controlled tone generator including means forproducing an intermediate signal having a frequency related to said input voltage signal, an amplifier having a voltage controlled gain for varying the amplitude of said intermediate signal, an envelope generator for providing a voltage waveformcontrolling the gain of said amplifier, and means for turning said envelope generator on to initiate the production of a new voltage waveform therefrom in response to said at least one string being brought into contact with any one of said frets.

2. An electronic music system comprising a voltage controlled tone generator, a stringed instrument having a plurality of spaced parallel strings located over a fret board having a plurality of frets extending transversely of said strings andspaced one from another along the length of said fret board with each string-fret pair representing an assigned musical tone, and means responsive of any one of said strings being pressed into contact with any one of said frets for producing andsupplying to said voltage controlled tone generator, as the driving input for said tone generator, a voltage signal having a voltage value analogously related to the frequency of the musical tone represented by the contacting string-fret pair.

3. A music system as defined in claim 2 further characterized by said voltage controlled tone generator including means for producing an intermediate signal having a frequency related to said input voltage signal, an amplifier having a voltagecontrolled gain for varying the amplitude of said intermediate signal, an envelope generator for producing a voltage waveform controlling the gain of said amplifier, and means for turning said envelope generator on to initiate the production of a newvoltage waveform therefrom in response to any one of said strings being brought into contact with any one of said frets.

4. A music system as defined in claim 3 further characterized by means for inhibiting the production of another voltage waveform from said envelope generator until after all of said strings are first out of contact with any of said frets.

5. An electronic music system comprising a voltage controlled tone generator, a stringed instrument having a plurality of spaced parallel...