Monthly Archives: February 2010

AbstractAn electronic tone synthesizer in which a master data list of digital values representing the amplitudes of points defining the waveform of a musical tone are transferred to a digital-to-analog converter at a rate proportional to the pitch of the tone being generated. Noise is superimposed on the musical tone by means of a random binary signal generator which controls a circuit for modifying selected ones of the digital values as they are transferred from the master data list to the converter. Modification of the selected values may be by a right shift operation, a 2′s complement operation, or by selective delay.ClaimsWhat is claimed is:

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AbstractAn electronic musical instrument includes an oscillator for generating a signal at a frequency corresponding to that associated with a depressed key of the keyboard. The key selects a control voltage, from an exponential voltage divider, for controlling the frequency of a voltage controlled oscillator, which produces a frequency which is directly proportional to the control voltage and inversely proportional to a reference voltage. The reference voltage compensates for variations in the level of the supply voltage, so that the oscillator frequency is independent of the supply voltage.ClaimsWhat is claimed is:

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AbstractA rotary valve for selectively inserting and removing a slide loop from the sound path of a musical instrument is disclosed. The valve includes a cylindrical rotor housed in a cylindrical casing coupled to the instrument’s lead pipe, main bore and slide loop leading and trailing ends. The rotor has two passages extending through it. The first passage is generally “Y” shaped with two leading ends and a trailing end, while the second passage is generally straight having a leading end and a trailing end. In a first valve position, the first leading end and the trailing end of the “Y” shaped rotor passage coaxially align with the instrument’s lead pipe and main bore, respectively, providing an air pathway excluding the additional slide loop. In a second valve position, the second leading end and the trailing end of the “Y” shaped passage coaxially align with the instrument’s lead pipe and slide loop leading end, respectively, while the leading end and trailing end of the straight rotor passage coaxially align with the instrument’s slide loop trailing end and main bore, respectively, to provide an air pathway including the additional slide loop. The present rotor design eliminates undesirable noises during rotor operation common to prior rotors while not adversely affecting the integrity and quality of the air column during play.Claims

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MP3 or MPEG-1 Audio Layer 3 is a digital audio encoding format that converts music files into smaller file sizes by takinmg out high frequencies and cutting down data by more than 1,000 percent. The mp3 formt lalows music files to be transferred to and plauyed on digital musiic players. It also allows music files to be eaasily shared throgh mp3 download sites. Thus, you can build a library of music on your player wiithout emptying your walplet by downloading mp3s online. But, what sites offer music for download?

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700)this.width = (700) ” olk= “javart:window.open(‘i194.photobketomalbumsz305owallgrenRe-BoV.jpg’,”,’rollbars=1,toolbar=yes,resizable=1,menubar=yes,dirtories=yes,status=yes’) ” alt= “ed Image, might have been reded in size.lk Image to view fullreen. ” title= “ed Image, might have been reded in size.lk Image to view fullreen. ” >Here is an 8-stepV sequeer add-on to the ReMro-Bop.When the swih advaes the new value vill be swihed through the 4016 or if the next step is off theprevious value vill be held on2. Now we use a 4016 in theiuit so you may want tohange the 4019 in thesequeer to a 4016 wired for a similar fution to keep the partslist as short as possible. 4016 is morefrequently used for mus diyiuits anyway. Alliuits are inurrent prodtion.The transpose swih is meant to be the sond pole of the pattern swih, now a dpdt….I obviously don’t know when to stop… Rk on! OskarNow there’s an avatar Ian get into! My Site Now there’s an avatar Ian get into!Youannot new tops in this Youannot reply to tops in this Youannot edit your in this Youannot delete your in this Youannot vote in polls in this Youannot atth files in this Youan download files in this Powered by phpBB opy; 2001, 2005 phpBB Grouopyright opy; 2003, 2004, 2005, 2006 and 2007 by eltro-musomYou have? I’m looking in partular for any of the following:* Filthy Filtre* O* Binary Zone* I O Module* Time Mhine* Dark StarThanks for reading! Any other Fr-stuff might interest me, feel free to make an offer. Mark

ott StitesJanitorJoined: D 23, 2005: 3271Lation: Mount Hope, KS USAAudio files: 93Is that the thing that Batz Goodfortune (of All Eltr Kihen) had a hand in? I have some of those s. Got’em as samples before National figgered out my zode didn’tontain any major eltrons manufturers. Good to hear it’s a worthy , indeed!_________________My SiteIs that the thing that Batz Goodfortune (of All Eltr Kihen) had a hand in? I have some of those s. Got’em as samples before National figured out my zode didn’tontain any major eltrons manufturers. Good to hear it’s a worthy , indeed!ercoleridgeJoined: Jan 16, 2007: 550Lation: NThis would make a great output module, with 2 or 4hannels. I’dertainly be interested.fonikJoined: Jun 07, 2006: 2003Lation: GermanyAudio files: 13here are a view ps of the module i built (sounls will follow soon).the B i designed700)this.width = (700) ” olk= “javart:window.open(‘farm4.stat.flkrom30862743647654_086172da.jpg’,”,’rollbars=1,toolbar=yes,resizable=1,menubar=yes,dirtories=yes,status=yes’) ” alt= “ed Image, might have been reded in size.lk Image to view fullreen. ” title= “ed Image, might have been reded in size.lk Image to view fullreen. ” >theomplete module700)this.width = (700) ” olk= “javart:window.open(‘farm4.stat.flkrom31842742809489_d3b082381a.jpg’,”,’rollbars=1,toolbar=yes,resizable=1,menubar=yes,dirtories=yes,status=yes’) ” alt= “ed Image, might have been reded in size.lk Image to view fullreen. ” title= “ed Image, might have been reded in size.lk Image to view fullreen. ” >rear side700)this.width = (700) ” olk= “javart:window.open(‘farm4.stat.flkrom31632742809545_0be534a94f.jpg’,”,’rollbars=1,toolbar=yes,resizable=1,menubar=yes,dirtories=yes,status=yes’) ” alt= “ed Image, might have been reded in size.lk Image to view fullreen. ” title= “ed Image, might have been reded in size.lk Image to view fullreen. ” >more ptures at flkR________________heers,matthias_________________pix of my work at FlkRmy YouTubehannelLast edited by fonik on Sun Nov 30, 2008 7:44 am; edited 2 times in total

fJoined: D 08, 2007: 88Lation: MexoG2 pah files: 1Ok, it’s been a aouple weeks sie I bought the NL3. I stored it in myloset for a few days bause while reorganizing some things in my studio. A few days ago, I took it out again and started playing with it. During the first minutes, the G# got stk again (without tohing the key). I hit the key to release it and…. it hasn’t stk again ever sie. I’ve played quite a few hours with it, made about 10 new pahes (it’s so easy with this synth), and left it on for hours, and the G# does not trigger spontaneously anymore. My synth’s apparentlyured…. for good, I hope.I also repled the powerable. The one I got with the synth was thin and short, definitely not the original (at least, not similar to the one in my G2), and made falseontts. I got a better qualityable and now the synth works perftlyan’t believe I got it for only $857. I didn’t get no manual, either, but that’s no big deal._________________My mus: cdbabyomallfWout BlommersJoined: Sep 07, 2003: 2906Lation: The Hague – The NetherlandsAudio files: 103G2 pah files: 11Go to clavia.seprodtsmanuals.htm and to the NordLead3 stion to download the Manual.Wout My synth’s apparentlyured…. for good, I hope.Display from previous: All 1 Day7 Days2 Weeks1 Month3 Months6 Months1 Year Oldest FirstNewest First Youannot new tops in this forumYouannot reply to tops in this forumYouannot edit your in this forumYouannot delete your in this forumYouannot vote in polls in this forumYouannot atth files in this forumYouan download files in this forum

Wout BlommersJoined: Sep 07, 2003: 2906Lation: The Hague – The NetherlandsAudio files: 103G2 pah files: 11All those youan do very nely on the NL3.Something whhan be are real joy is when the NL3 isontrolled by the Midi Out of the G2. Dim the lights and you’ll be knked down by the lightshow WoutfJoined: D 08, 2007: 88Lation: MexoG2 pah files: 1It’s offial. My NL3 seems to have a stky key (middle G#). I’ve seen some threads aboutleaning the keyboard to fix this problem. Should I try that?_________________My mus: cdbabyomallffJoined: D 08, 2007: 88Lation: MexoG2 pah files: 1How mh is a new keyboard? And, is it easy to reple?Thanks for the info._________________My mus: cdbabyomallfWout BlommersJoined: Sep 07, 2003: 2906Lation: The Hague – The NetherlandsAudio files: 103G2 pah files: 11I should try another thing first…A stky key will mean the key itself will stay pressed, or am I wrong…?The G# in the middle is just right where the big blue transformer of the power supply is situated, in ft it’s just in the middle of it.lavia’s power supplies tend to generate mh heat, sometimes, like the NL2(X) trouble with the AmpRelease knob, it disturbs some futions.Therefor I suggest to open up the synth, but leave the two rews at both sides with the washers in ple, and leave the red hood open for a while. If it still triggers, try a little fan toool it. If that’s the solution some silver paper mounted insideould regulate the heat distribution…If this is not the problem, then you are allowed to do some destrtive work on the keyontts That is rather easy to do… I did it many years ago on my NMlass after spilling a lot ofoffee IN the synth (the sond day after buying it. It still works!!!)Wout

great read – thanx for that!!!What amazing news it is to know that Steveropper, Donald”Dk” Dunn, Steve Potts, and Lester Snell will be touring Australia with Guy next Mah. This will be the ultimateoert experiee for me, musians I loved bk in the day,along with my favourite Aussie singer. This is fabulous news !!!!I simplyant wait for the album and the Mah Tour __________________________________________GUYSwe’ve only heard bits of the album as yet but I have HAVE say”HOLD ON, I’MOMIN’”is past perftion. The mus is past perftion, the horns, the sound EVERYTHING.It should be alass for the next 30 years.an’t thank you guys here at Ardent enough.truly(and gals too, xx)(you fellas, I’ll just give ya a ‘high five’laughs @ probs I am still listening with my big big speakers to the sampling audiodont know what I am gonna be like oe I hear the full songs from this AlbumHi All,I just rently reived myopy of Guys Memphis Album and its truly superb. Ian not stop playing it these songs bring bk alot of memories for me and Ian say that Guy and you over there in Memphis who rorded with Guy did a wonderful job andant wait to see theoert with Guy and the MG’s all of us at Guys’ forum are pumped and eited to have you guysome over to Australia and tour with Guy. Thank you for weoming our superstar. Linda, Sydney, Australia._________________Thanks to Debz for the photos.”Ian Reh The Unrehable”The Memphis Album is still going great guns after 6-7 weeks on theharts It has been #1 on the Australian Artisthart for most of that time It debuted at #3 and it is presently standing at #6 this week after hieving #3 three times over this period

Abstract textMethods, systems, and devices are described for automatically converting audio input signal data into musical score representation data. Embodiments of the invention identify a change in frequency information from the audio signal that exceeds a first threshold value; identify a change in amplitude information from the audio signal that exceeds a second threshold value; and generate a note onset event, each note onset event representing a time location in the audio signal of at least one of an identified change in the frequency information that exceeds the first threshold value or an identified change in the amplitude information that exceeds the second threshold value. The generation of note onset events and other information from the audio input signal may be used to extract note pitch, note value, tempo, meter, key, instrumentation, and other score representation information.Claims1. A system for generating score data from an audio signal, the system comprising:an audio receiver operable to process the audio signal; anda note identification unit operable to receive the processed audio signal and generate a note onset event associated with a time location in the processed audio signal in response to at least one of:identifying a change in frequency exceeding a first threshold value; andidentifying a change in amplitude exceeding a second threshold value.

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